Tag: Rewind Revue
-
Hercules Review: Disney Finds Its Theatrical Confidence Again
in Blog PostsAfter years of overly cautious and mechanically faithful adaptations, Hercules at Theatre Royal Drury Lane feels like a recalibration for Disney Theatrical Productions. Bold, self aware, disciplined and, most importantly, alive.
-
Beethoven
in Rewind RevueA joyous reminder that warmth, silliness and heart are not weaknesses. Beethoven is not clever cinema, but it is kind, confident in what it is, and genuinely funny. Sometimes that is more than enough.
-
Boy Meets World and the Lost Art of Trusting Kids
in Rewind RevueRevisiting Boy Meets World is a reminder of what children’s television used to dare to be. Hammy, imperfect, and occasionally absurd, the show trusted its audience enough to wrestle with morality, grief, politics, and growing up. It was also allowed to end on its own terms. In an era where kids’ TV increasingly plays it…
-
The Greatest Showman Is Loud, Empty and Morally Bankrupt
in Rewind RevueA film so terrified of scrutiny it turns the dialogue down and the spectacle up. The Greatest Showman is not revisionism for drama’s sake but a moral abdication that ignores the truth because the real story is too painful too complex and too human to sing along to.
-
The Parent Trap: Trust, Craft And A Confident Disney
in Rewind RevueA clear eyed rewind of The Parent Trap that celebrates confidence in craft, performance and restraint. Wholesome, genuinely funny and quietly clever, this is Disney trusting its audience and being rewarded for it.
-
Yerma, Watched From a Distance
in Rewind RevueSimon Stone’s adaptation of Yerma, encountered via Drama Online’s National Theatre Collection, remains devastating. Watched from a distance, it becomes a study in pressure, isolation and the slow unravelling of a life shaped by expectation.
Colin Cushion 