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The Parent Trap: Trust, Craft And A Confident Disney
in ReviewsA rewind of The Parent Trap that celebrates its confidence in craft, performance and restraint. Wholesome, genuinely funny and quietly clever, this is Disney trusting its audience and being rewarded for it.
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Winter Lights, Umbrella Blindness, and the Art of Getting in the Way
in ReviewsWinter Lights returned to Canary Wharf under torrential rain, dense crowds, and a creeping sense that the event no longer knows who it’s for. Moments of real beauty and interactivity remained, but the evening became a test of patience, spatial awareness, and whether public art can survive an audience determined to put themselves at the…
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The Producers and the Danger of Laughing Too Quickly
in ReviewsWhat happens when a musical moves so fast that laughter arrives before meaning? The Producers at the Garrick Theatre is explosive and deeply unsettling, inviting its audience into complicity before leaving them to question what they were so ready to enjoy.
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V&A Storehouse: A Museum That Trusts You
in ReviewsA visit to the V&A Storehouse shows a museum built for wandering, curiosity and independence. This is not a gallery that tells you what to think, but one that trusts visitors to look, linger and decide for themselves.
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Connection and Identity at the Painted Hall
in ReviewsInstalled inside the Painted Hall at the Old Royal Naval College, Connection and Identity promises a transformative encounter between heritage and contemporary art. In practice, Peter Walker’s exhibition struggles against the scale and intensity of its setting.
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Grounded and Gutted
in ReviewsStorm Amy grounded most of the Imperial War Museum’s Flying Finale at Duxford on 4 October 2025, leaving just three aircraft displays to take to the skies and raising serious questions about whether the day justified the cost.
Colin Cushion 